论文标题

360°立体声图像组成,深度适应

360° Stereo Image Composition with Depth Adaption

论文作者

Huang, Kun, Zhang, Fanglue, Zhao, Junhong, Li, Yiheng, Dodgson, Neil

论文摘要

360°图像和视频已成为使用现实世界中的VR体验的经济和流行方式。但是,对立体声全景内容的操纵仍然不那么探索。在本文中,我们专注于360°图像组成问题,并开发一个可以从立体声图像对中获取对象的解决方案,并将其插入给定的3D位置,并在目标立体声全景中,并提供保存完好的几何信息。我们的方法使用恢复的3D点云来指导复合图像生成。更具体地说,我们观察到,仅使用一次性操作将对象插入等于等值的图像将永远不会产生令人满意的深度感知,并在用户观看不同视图方向的结果时会产生幽灵伪像。因此,我们提出了一种新颖的均观测方法,该方法将对象段在3D球形空间中分离,立体声摄像头对朝向该方向。提出了一个深度深度致密网络,以根据所需的位置和插入对象的位置和姿势为每个视图段的立体图像生成深度指南。我们最终将综合视图段组合在一起,并将对象混合到目标立体声360°场景中。一项用户研究表明,我们的方法可以提供良好的深度感知并消除幽灵文物。次观点是针对360°图像和视频的其他内容操纵方法的潜在范例。

360° images and videos have become an economic and popular way to provide VR experiences using real-world content. However, the manipulation of the stereo panoramic content remains less explored. In this paper, we focus on the 360° image composition problem, and develop a solution that can take an object from a stereo image pair and insert it at a given 3D position in a target stereo panorama, with well-preserved geometry information. Our method uses recovered 3D point clouds to guide the composited image generation. More specifically, we observe that using only a one-off operation to insert objects into equirectangular images will never produce satisfactory depth perception and generate ghost artifacts when users are watching the result from different view directions. Therefore, we propose a novel per-view projection method that segments the object in 3D spherical space with the stereo camera pair facing in that direction. A deep depth densification network is proposed to generate depth guidance for the stereo image generation of each view segment according to the desired position and pose of the inserted object. We finally combine the synthesized view segments and blend the objects into the target stereo 360° scene. A user study demonstrates that our method can provide good depth perception and removes ghost artifacts. The per-view solution is a potential paradigm for other content manipulation methods for 360° images and videos.

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