论文标题
AccomonTage2:完整的协调和伴奏安排系统
AccoMontage2: A Complete Harmonization and Accompaniment Arrangement System
论文作者
论文摘要
我们提出了AccomonTage2,该系统能够根据铅旋律进行全长的歌曲协调和伴奏布置。在AccomTage之后,本研究重点是为流行/民间歌曲生成钢琴安排,并采用了基于广义模板的检索方法。这项研究的新颖性是双重的。首先,我们发明一个协调模块(AccomTage没有)。该模块通过优化和平衡三个损失术语来生成结构化和连贯的全长和弦进展:笔记不和谐的微观损失,短语 - 板匹配的中级损失以及全零件相干性的宏观损失。其次,我们开发了一个图形用户界面,该界面允许用户选择和弦进度和钢琴纹理的不同样式。当前,和弦的进度风格包括流行音乐,R&B和Dark,而钢琴纹理样式包括多种层次的声音密度和节奏的复杂性。实验结果表明,我们的协调和排列结果都显着胜过基线。最后,我们将accomontage2作为在线应用程序以及有组织的和弦进度模板作为公共数据集发布。
We propose AccoMontage2, a system capable of doing full-length song harmonization and accompaniment arrangement based on a lead melody. Following AccoMontage, this study focuses on generating piano arrangements for popular/folk songs and it carries on the generalized template-based retrieval method. The novelties of this study are twofold. First, we invent a harmonization module (which AccoMontage does not have). This module generates structured and coherent full-length chord progression by optimizing and balancing three loss terms: a micro-level loss for note-wise dissonance, a meso-level loss for phrase-template matching, and a macro-level loss for full piece coherency. Second, we develop a graphical user interface which allows users to select different styles of chord progression and piano texture. Currently, chord progression styles include Pop, R&B, and Dark, while piano texture styles include several levels of voicing density and rhythmic complexity. Experimental results show that both our harmonization and arrangement results significantly outperform the baselines. Lastly, we release AccoMontage2 as an online application as well as the organized chord progression templates as a public dataset.