论文标题

感知感知攻击:通过反向工程的人类感知创建对抗性音乐

Perception-Aware Attack: Creating Adversarial Music via Reverse-Engineering Human Perception

论文作者

Duan, Rui, Qu, Zhe, Zhao, Shangqing, Ding, Leah, Liu, Yao, Lu, Zhuo

论文摘要

最近,对抗机器学习攻击对实用的音频信号分类系统构成了严重的安全威胁,包括语音识别,说话者识别和音乐版权检测。先前的研究主要集中在确保通过在原始信号上产生类似噪声的小扰动来攻击音频信号分类器的有效性。目前尚不清楚攻击者是否能够创建音频信号扰动,除了其攻击效果外,人类还可以很好地看待。这对于音乐信号尤其重要,因为它们经过精心制作,具有令人愉悦的音频特征。 在这项工作中,我们将对音乐信号的对抗性攻击作为一种新的感知攻击框架,将人类研究纳入对抗性攻击设计中。具体而言,我们进行了一项人类研究,以量化音乐信号变化的人类感知。我们邀请人类参与者根据原始和扰动的音乐信号对他们的感知偏差进行评分,并通过回归分析对人类感知过程进行反向工程,以预测给定信号的人类感知的偏差。然后将感知感知的攻击作为优化问题提出,该问题发现了最佳的扰动信号,以最大程度地减少与回归人类感知模型的偏差的预测。我们使用感知感知的框架来设计针对YouTube版权探测器的现实对抗音乐攻击。实验表明,感知意识攻击会产生对抗性音乐的感知质量明显优于先前的工作。

Recently, adversarial machine learning attacks have posed serious security threats against practical audio signal classification systems, including speech recognition, speaker recognition, and music copyright detection. Previous studies have mainly focused on ensuring the effectiveness of attacking an audio signal classifier via creating a small noise-like perturbation on the original signal. It is still unclear if an attacker is able to create audio signal perturbations that can be well perceived by human beings in addition to its attack effectiveness. This is particularly important for music signals as they are carefully crafted with human-enjoyable audio characteristics. In this work, we formulate the adversarial attack against music signals as a new perception-aware attack framework, which integrates human study into adversarial attack design. Specifically, we conduct a human study to quantify the human perception with respect to a change of a music signal. We invite human participants to rate their perceived deviation based on pairs of original and perturbed music signals, and reverse-engineer the human perception process by regression analysis to predict the human-perceived deviation given a perturbed signal. The perception-aware attack is then formulated as an optimization problem that finds an optimal perturbation signal to minimize the prediction of perceived deviation from the regressed human perception model. We use the perception-aware framework to design a realistic adversarial music attack against YouTube's copyright detector. Experiments show that the perception-aware attack produces adversarial music with significantly better perceptual quality than prior work.

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