论文标题

定价艺术品中的信息数量

Pricing the Information Quantity in Artworks

论文作者

Ju, Lan, Tu, Zhiyong, Xue, Changyong

论文摘要

在传统的艺术定价模型中,捕获绘画内容的变量通常会缺少。最近的研究开始应用计算机图形技术来从绘画内容中提取信息。大多数研究都集中在绘画图像中读取颜色信息,并分析不同的颜色成分如何影响绘画的销售价格。本文采用了不同的方法,并试图从内容信息的解释中抽象出来,而仅着眼于衡量所包含的信息数量。我们将信息理论中香农熵的概念扩展到绘画的场景,并建议使用绘画的构图元素的方差,即线,颜色,价值,形状/形式和空间,以衡量绘画中的信息量。这些度量是根据图片的数字图像在像素级别计算的。我们将它们包括在传统的享乐回归模型中,以根据两位著名艺术家(毕加索和雷诺阿)的拍卖样本来测试其意义。我们发现,所有方差测量值都可以在1%或5%的水平上显着解释销售价格。调整后的R正方形也增加了百分之十以上。我们的方法大大改善了传统的定价模型,也可能在其他领域(例如ART评估和身份验证)找到应用。

In the traditional art pricing models, the variables that capture the painting's content are often missing. Recent research starts to apply the computer graphic techniques to extract the information from the painting content. Most of the research concentrates on the reading of the color information from the painting images and analyzes how different color compositions can affect the sales prices of paintings. This paper takes a different approach, and tries to abstract away from the interpretation of the content information, while only focus on measuring the quantity of information contained. We extend the concept of Shannon entropy in information theory to the painting's scenario, and suggest using the variances of a painting's composing elements, i.e., line, color, value, shape/form and space, to measure the amount of information in the painting. These measures are calculated at the pixel level based on a picture's digital image. We include them into the traditional hedonic regression model to test their significance based on the auction samples from two famous artists (Picasso and Renoir). We find that all the variance measurements can significantly explain the sales price either at 1% or 5% level. The adjusted R square is also increased by more than ten percent. Our method greatly improves the traditional pricing models, and may also find applications in other areas such as art valuation and authentication.

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