论文标题
对以音乐为中心的练习中触觉反馈的定性分析
A Qualitative Analysis of Haptic Feedback in Music Focused Exercises
论文作者
论文摘要
我们介绍了一名飞行员研究的发现，该发现分析了音乐背景中触觉反馈的作用。为了检查触觉在数字乐器（DMI）设计中的作用，制定了实验，以衡量用户在四个单独的反馈阶段对设备可用性的看法：完全触觉（力量和触觉组合），仅恒定力，仅纤维状效应，而没有反馈。这项研究是在长时间进行的，目的是探索DMI在现实世界中音乐环境中的应用和整合。对这种类型的音乐分析采用了音乐的分析，使调查过程不仅可以在一个全面的时期内进行，而且可以在日常构图实践中探索DMI整合。与任何涉及创造力的调查一样，重要的是，参与者不会感到匆忙或限制。也就是说，他们有足够的时间来探索和评估不同的反馈类型而无需约束。这提供了一组准确和代表性的定性数据集，以验证参与者使用所呈现的不同反馈类型的经验。
We present the findings of a pilot-study that analysed the role of haptic feedback in a musical context. To examine the role of haptics in Digital Musical Instrument (DMI) design an experiment was formulated to measure the users' perception of device usability across four separate feedback stages: fully haptic (force and tactile combined), constant force only, vibrotactile only, and no feedback. The study was piloted over extended periods with the intention of exploring the application and integration of DMIs in real-world musical contexts. Applying a music orientated analysis of this type enabled the investigative process to not only take place over a comprehensive period, but allowed for the exploration of DMI integration in everyday compositional practices. As with any investigation that involves creativity, it was important that the participants did not feel rushed or restricted. That is, they were given sufficient time to explore and assess the different feedback types without constraint. This provided an accurate and representational set of qualitative data for validating the participants' experience with the different feedback types they were presented with.
