论文标题

人工智能歌曲大赛:人类歌曲创作在歌曲创作中

AI Song Contest: Human-AI Co-Creation in Songwriting

论文作者

Huang, Cheng-Zhi Anna, Koops, Hendrik Vincent, Newton-Rex, Ed, Dinculescu, Monica, Cai, Carrie J.

论文摘要

机器学习正在挑战我们制作音乐的方式。尽管深层生成模型中的研究已大大提高了音乐模型的能力和流利性,但最近的工作表明,与这种新的算法合作,人类可能具有挑战性。在本文中,我们介绍了13个音乐家/开发人员团队(共61位用户)在与AI共同创作歌曲时需要的是什么,他们面临的挑战以及他们如何利用和重新利用AI的现有特征来克服其中一些挑战。许多团队采用了模块化方法,例如在重新组合结果之前,独立运行与歌曲的音乐构建块保持一致的多个较小型号。由于ML模型不容易可通话,因此团队还生成了大量的样本并在事后策划了它们,或者使用一系列策略来指导生成,或者算法对样品进行排名。最终,团队不仅必须管理创作过程的“耀斑和专注”方面,而且还通过探索和策划多个ML模型和输出的并行过程来处理他们。这些发现反映了设计机器学习驱动的音乐界面的需求,这些音乐接口更加分解,可辨,可解释和自适应,作为回报,这将使艺术家更有效地探索AI如何扩展其个人表达方式。

Machine learning is challenging the way we make music. Although research in deep generative models has dramatically improved the capability and fluency of music models, recent work has shown that it can be challenging for humans to partner with this new class of algorithms. In this paper, we present findings on what 13 musician/developer teams, a total of 61 users, needed when co-creating a song with AI, the challenges they faced, and how they leveraged and repurposed existing characteristics of AI to overcome some of these challenges. Many teams adopted modular approaches, such as independently running multiple smaller models that align with the musical building blocks of a song, before re-combining their results. As ML models are not easily steerable, teams also generated massive numbers of samples and curated them post-hoc, or used a range of strategies to direct the generation, or algorithmically ranked the samples. Ultimately, teams not only had to manage the "flare and focus" aspects of the creative process, but also juggle them with a parallel process of exploring and curating multiple ML models and outputs. These findings reflect a need to design machine learning-powered music interfaces that are more decomposable, steerable, interpretable, and adaptive, which in return will enable artists to more effectively explore how AI can extend their personal expression.

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