论文标题
Vrengt：一种共享音乐舞蹈表演的人体机器乐器
Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance
论文作者
论文摘要
本文介绍了为音乐舞蹈表演开发共享工具的过程，特别着眼于探索停顿与运动之间的边界，而沉默与声音之间的界限。 Vrengt的作品源于使音乐家和舞者之间真正的合作伙伴关系的想法，开发了一种可以进行积极表现的乐器。使用参与式设计方法，我们与Sonification一起工作，作为系统地探索舞者身体表情的工具。该探索使用了“时空矩阵”，特别关注声波微互动。在最后的表演中，使用了两个肌臂带来捕获舞者手臂和腿腿的肌肉活动，以及一个无线耳机麦克风捕获呼吸声。在论文中，我们反思了多用户仪器范式，讨论我们使用超声作为声音设计工具创建共享仪器的方法，并反思表演者对仪器的主观评估。
This paper describes the process of developing a shared instrument for music-dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew from the idea of enabling a true partnership between a musician and a dancer, developing an instrument that would allow for active co-performance. Using a participatory design approach, we worked with sonification as a tool for systematically exploring the dancer's bodily expressions. The exploration used a "spatiotemporal matrix", with a particular focus on sonic microinteraction. In the final performance, two Myo armbands were used for capturing muscle activity of the arm and leg of the dancer, together with a wireless headset microphone capturing the sound of breathing. In the paper we reflect on multi-user instrument paradigms, discuss our approach to creating a shared instrument using sonification as a tool for the sound design, and reflect on the performers' subjective evaluation of the instrument.
