论文标题
有形数字乐器的设计
The Design of Tangible Digital Musical Instruments
论文作者
论文摘要
在这里，我们介绍了使用数字乐器（DMIS）的触觉反馈对计算机音乐家经历的影响的指南。在这种情况下，触觉反馈在音乐家和DMI之间提供了切实的双向交流。我们建议，通过遵守和探索这些准则，触觉反馈的应用可以增强和增强音乐家与这些设备互动中音乐家的身体和情感体验。以前已经表明，在触觉DMI的设计中，必须考虑创建有形DMI的音乐家的经验和期望，并且可以使用触觉反馈来解决当前在此类乐器之间存在的物理数字鸿沟。
Here we present guidelines that highlight the impact of haptic feedback upon the experiences of computer musicians using Digital Musical Instruments (DMIs). In this context, haptic feedback offers a tangible, bi-directional exchange between a musician and a DMI. We propose that by adhering to and exploring these guidelines the application of haptic feedback can enhance and augment the physical and affective experiences of a musician in interactions with these devices. It has been previously indicated that in the design of haptic DMIs, the experiences and expectations of a musician must be considered for the creation of tangible DMIs and that haptic feedback can be used to address the physical-digital divide that currently exists between users of such instruments.
