论文标题

使用Mix-track子序列对齐方式对现实世界DJ混合的计算分析

A Computational Analysis of Real-World DJ Mixes using Mix-To-Track Subsequence Alignment

论文作者

Kim, Taejun, Choi, Minsuk, Sacks, Evan, Yang, Yi-Hsuan, Nam, Juhan

论文摘要

DJ混合是一系列音乐曲目,无缝串联,通常在舞台上的DJ实时为观众渲染。由于DJ组合是在工作室中生产的,或者记录了现场版本用于音乐流服务,因此分析DJ混合物的计算方法,例如提取轨道信息或理解DJ技术,已经吸引了研究兴趣。但是,以前的许多作品仅限于识别混合或分割中的单个轨道,并且数据集的大小通常很小。在本文中,我们通过将混音与原始音乐曲目保持一致,对DJ音乐进行深入分析。我们设置了子序列对齐方式,以使音频功能对混合物中原始轨道的速度或钥匙更改敏感。这种方法提供了时间紧密的混合轨迹匹配,我们可以从中获得提示点,过渡长度,混合分段和DJ性能的音乐变化。我们使用1001 Tracklists的1,557种混合物,包括13,728条曲目和20,765个过渡,我们进行了拟议的分析,并显示了广泛的统计数据,这可能阐明了DJ音乐制作的创作过程。

A DJ mix is a sequence of music tracks concatenated seamlessly, typically rendered for audiences in a live setting by a DJ on stage. As a DJ mix is produced in a studio or the live version is recorded for music streaming services, computational methods to analyze DJ mixes, for example, extracting track information or understanding DJ techniques, have drawn research interests. Many of previous works are, however, limited to identifying individual tracks in a mix or segmenting it, and the sizes of the datasets are usually small. In this paper, we provide an in-depth analysis of DJ music by aligning a mix to its original music tracks. We set up the subsequence alignment such that the audio features are less sensitive to the tempo or key change of the original track in a mix. This approach provides temporally tight mix-to-track matching from which we can obtain cue-points, transition length, mix segmentation, and musical changes in DJ performance. Using 1,557 mixes from 1001Tracklists including 13,728 tracks and 20,765 transitions, we conduct the proposed analysis and show a wide range of statistics, which may elucidate the creative process of DJ music making.

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