论文标题

机器人艺术,在情人眼中?:通过自我披露的个性化促进了代表性艺术中情感的视觉交流

Robot art, in the eye of the beholder?: Personalization through self-disclosure facilitates visual communication of emotions in representational art

论文作者

Cooney, Martin

论文摘要

社会辅助的机器人可以通过与人类治疗师的稀缺方式在诸如艺术疗法之类的环境中帮助人们的福祉,这是通过与人们一起制作诸如绘画之类的艺术,以情感上有偶然性和创造力的方式。但是,当前的艺术制造机器人通常是偶然的,要么由人类艺术家控制为工具,要么是富有创造力的,可以独立绘画,这可能是因为与艺术相关的一些复杂而特质的概念(例如情感和创造力)尚未得到充分了解。例如,在经验美学中已经研究了个性化品味在形成美容评估中的作用,但是如何产生表达某些情绪(例如幸福或悲伤之类的情绪)的艺术不太清楚。在当前的文章中,使用了绿野仙踪的协作原型制作/巫师来探索通用的机器人艺术制造策略和通过开放式的情感概况探索艺术的个性化,旨在识别棘手的概念。由于进行了探索性用户研究,参与者表示,涉及“视觉隐喻”的机器人艺术制造策略有些偏爱以平衡外源性和内源性组件,并且据报道,个性化的代表性草图比一般的草图更清楚地传达了情感。文章通过讨论个性化的抽象艺术以及有关富裕艺术制作策略和用户模型的建议结束。因此,当前作品的主要概念进步在于暗示了互动机器人如何通过个性化艺术在视觉上表达情绪。总体目的是,这可能有助于告知这个有前途的领域的下一步,并促进日常人类环境中机器人的技术接受。

Socially assistive robots could help to support people's well-being in contexts such as art therapy where human therapists are scarce, by making art such as paintings together with people in a way that is emotionally contingent and creative. However, current art-making robots are typically either contingent, controlled as a tool by a human artist, or creative, programmed to paint independently, possibly because some complex and idiosyncratic concepts related to art, such as emotion and creativity, are not yet well understood. For example, the role of personalized taste in forming beauty evaluations has been studied in empirical aesthetics, but how to generate art that appears to an individual to express certain emotions such as happiness or sadness is less clear. In the current article, a collaborative prototyping/Wizard of Oz approach was used to explore generic robot art-making strategies and personalization of art via an open-ended emotion profile intended to identify tricky concepts. As a result of conducting an exploratory user study, participants indicated some preference for a robot art-making strategy involving "visual metaphors" to balance exogenous and endogenous components, and personalized representational sketches were reported to convey emotion more clearly than generic sketches. The article closes by discussing personalized abstract art as well as suggestions for richer art-making strategies and user models. Thus, the main conceptual advance of the current work lies in suggesting how an interactive robot can visually express emotions through personalized art; the general aim is that this could help to inform next steps in this promising area and facilitate technological acceptance of robots in everyday human environments.

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